The other important piece of connective tissue for “1971” is a wide variety of both new and archival audio interviews with those closest to the making of this music and the ripple effects it had on an international scale. Once you start thinking of them as a group of people, you can think about the world they’re inhabiting and working within.” They work in the context of the culture and the social landscape. “Lots of people make films about individual artists. “One of the things we wanted to do is give an impression of all this happening all at the same time,” Peck said. That interconnected nature reflects how all this music permeated the cultural consciousness of the day. Luckily and thankfully, they came together, and that’s a testament to everyone involved.”
One piece came out and another piece came in. “It was just this giant jigsaw that you had to piece together bit by bit. “We were very fortunate that quite early on in the process, we did manage to get the blessing from the Stones and John Lennon’s and Marvin Gaye’s estates,” Cooke said. George Harrison and Ravi Shankar in “ 1971: The Year Music Changed Everything” Apple TV+ Working at the beginning of the process, Cooke found that getting all of these estates to buy in to the process helped to prove that the scope was wide enough for everyone to be a part of.
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Gaining access to these major catalogues of recordings and rehearsal takes and concert performances was obviously crucial in telling as full a story as possible.
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Using David Hepworth’s book “1971 – Never a Dull Moment: Rock’s Golden Year” as guide, the series follows major developments in the careers of mammoth music figures on opposite sides of their peak stardom.
The ambition of “1971” proved to be helpful in the long run. If they’re used to hearing the full studio version, being able to hear just a stripped back acoustic version, that fragility and brutal honesty comes through.” It’s really important as a documentary series to perhaps give people a different perspective on it. “The studio versions have generally been heard a lot. “You see the footage and really get inside their psyche and where they were at the time,” music supervisor Iain Cooke said. In turn, that also gives viewers of “1971” a chance to embrace a new way of hearing the tracks that have been etched as classics over decades of living room spins and radio airplay. Patricia Arquette’s Kooky Dark Comedy ‘High Desert’ Is a Chaotic Charmer
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